In Slovenia, where I live, we had a brief moment of resuming work after almost six months back in September and I was able to get a few shows in before new restrictions were enforced. Those first shows were very revealing in terms of what seems to be working when getting behind the console after a long time - at least for me - and I thought I would share them with you.
Read MoreIn one of my previous articles I was discussing the question of whether or not anyone could learn sound engineering skills. But the feedback I got raised another musing: WHY would anyone want to become a live audio engineer?
Read MoreDuring my talk at the Live Sound Summit (thanks again Nathan Lively for organising this great event) I received a question from on of the participants, who wanted to know if anyone can learn how to become a sound engineer. And it is not an easy question to answer, but I will try to break it down as I see it.
Read MoreIf you can influence the sound source in a way that sits better in a mix and supports the entire sonic image without ever touching the processing part of the console, that might be the best option for minimising work for yourself down the line. Here are some tips to help you accomplish just that.
Read MoreBut once in a while, think about that glanced-over second rack tom, quietly sobbing in the corner while being neatly tucked away in the depths of the mix. If you can help that sad fellow shine and stand proud with the rest of the gang of usually untouched channels, it will show the world that you care about every single detail of your mix.
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